“Let’s describe a drawing: a tomb with its sacred, funerary character, from which an elementary being, a prehistoric animal, emerges: its head is a toothy pincer, and on its body are thighbones, tibias, windpipes, fantastic parts floating willy-nilly; a fiery liquid contained by a rock mass issues from a temple-volcano. We witness the presence of the four elements: earth, fire, water and air. An amorous relationship in which these fuse and break apart. Something is, something becomes, polarised; the soft and the hard, the liquid and the solid; the static and the dynamic; the inner and the outer; the before and the after; the hot and the cold, and so on.”

Norberto Gómez, 1980