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Concrete Art
in Argentina
in Argentina
by
Adriana Lauria
January 2003
January 2003
Abstraction asserted itself in Argentina through the achievements of groups such as Arte Concreto-Invención, Madí and Perceptismo, which developed their activity since the second half of the 1940s. These groups constituted the first organized national avant-garde and made their aesthetics known to the public through exhibitions, magazines, manifestoes, leaflets, lectures, etc.
Pacheco, Marcelo et. al.
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MALBA Colección Costantini. Buenos Aires, Museo de Arte Latinoamericano de Buenos Aires. Américo Arte Editores – Landucci Editores, 2001.
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Arte Astratta Argentina. Galeria d'Arte Moderna e Contemporanea di Bergamo e Fundación Proa, Buenos Aires, 2002 (There is also a Spanish edition: Fundación Proa, 2003).
Paternosto, César
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Abstracción: el paradigma amerindo. Valencia, IVAM Centro Julio González, 2001.
Pellegrini, Aldo
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Panorama de la pintura argentina contemporánea. Buenos Aires, Paidós, 1967.
Perazzo, Nelly
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Vanguardias de la década del 40. Arte Concreto-Invención, Arte Madí, Perceptismo. Buenos Aires, Museo Eduardo Sívori, 1980.
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El arte concreto en la Argentina en la década del 40. Buenos Aires, Ediciones de Arte Gaglianone, 1983.
Pérez Barreiro, Gabriel
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“La negación de toda melancolía. Arte Concreto-Invención - Arte Madí”, in Elliott, D. (ed.) Art from Argentina 1920/1994. Oxford, Museum of Modern Art, 1994.
Pettoruti, Emilio
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Un pintor ante el espejo. Buenos Aires. Ed. Solar/Hachette, 1968.
Presta, Salvador
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Arte argentino actual. Ed. Lacio, Buenos Aires, 1960.
