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Norberto
Gómez
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
March 2006
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
1974
Untitled, c. 1974
In a collective exhibition at the Arte Nuevo gallery, “Cajas y objetos”, he shows a small piece in wood where two spheres dissolve into a surface. This work foreshadows his later work with deformed geometric bodies.
