Untitled, 1980

He exhibits drawings and sculptures made between 1979 and 1980 at the Estudio Giesso in Buenos Aires (Cochabamba 360), a memorable space that has just opened its doors to the public. There he continues with his series of guts and skeletons in foam rubber and polyester fibre. Discussing this exhibition and the way it echoes the violence then experienced in the country, Ricardo Marín-Crosa has said:

Thanks to a perfect and irrepressible synesthesia (...) the visual features I perceive become aural fragments. And a heartrending howl, an unceasing cry, grates my brain (...) And it is no coincidence that this original metaphor of the human mystery should take place in this land of steaks and barbecues, in this bloodied land of “unitarios” and “federales”.

He takes part in the exhibition Adentro y afuera en seis espacios urbanos (“Inside and Out in Six Urban Spaces”), which opens