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Norberto
Gómez
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
March 2006
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
1978
Gómez also takes part in Arte Argentino 78, a show organised by the Sección Argentina de la Asociación Internacional de Críticos de Arte (“Argentine division of the International Association of Art Critics”), as part of the first Jornadas de la crítica (“Conference of Critics”). An exhibition opens at the Museo Nacional de Bellas Artes in November, with works by Luis Benedit, Marcelo Bonevardi, Juan Carlos Distéfano, Alberto Heredia, Alfredo Hlito, Enio Iommi, Gyula Kosice, Leopoldo Maler, Vicente Marotta, Marta Minujín, Marie Orensanz, Margarita Paksa, César Paternosto, Liliana Porter, Alejandro Puente, Emilio Renart, Antonio Seguí, Clorindo Testa, Enrique Torroja and Nicolás García Uriburu, amongst others.
