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Norberto
Gómez
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
March 2006
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
1981
reigns in several sectors of the local art scene, which he criticises for “an eloquent silence and obliteration of memory that make the integration of an identity impossible”.
He takes part in the exhibition La escultura (“Sculpture”), organised at the Galería del Buen Ayre in October in the context of the Jornadas de la Crítica.
