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Norberto
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
Bibliographic reference of this dossier
Versión en español
 
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
 
Introduction | Sculptures | Drawings | Chronology | Critical Anthology | Bibliography
 
1930
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1950
1960
1970
 
1980
1990
2000
2010
2020
 
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1982
Carcasa, 1980
Untitled o Carcass, 1980
 
In November, alonside Burton, Dowek, Soibelman and Hugo Sbernini, he shows work in the exhibition La Postfiguración. Homenaje a Berni (“Post-figuration. A tribute to Berni”), at the Museo de Arte Moderno de Buenos Aires. In this exhibition, one of his pieces, a skeleton that seems to dissolve amidst its own secretions (NN), has an elaborate wooden base, with the complex architectural ornaments of a pompous and decrepit piece of furniture. He also exhibits two pieces that will later be know as Ribcage and Carcass.
Also in November, the 16th issue of Punto de vista magazine comes out, featuring twenty-two of his drawings depicting an extraordinary dark fauna of skeletons crossed with architectural features and funerary ornaments.
 
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