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Norberto
Gómez
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
March 2006
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
1966
Untitled, c. 1997
Back in Buenos Aires, he starts working on mostly white geometric constructions, which suggest movement and the transformation of static objects that become dynamic thanks to the changing effects of light and shadow and the different perspectives they offer to the spectator that walks around them.
