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Norberto
Gómez
Gómez
by
Adriana Lauria and Enrique Llambías
March 2006
March 2006
This dossier covers forty years of Norberto Gómez’s work, from his minimalist constructions of 1966 and 1967 to the anti-monuments he produced in polyester and bronze in the nineties. In between, his series of “guts”, organic remains, weapons and “plasters” punctuate a long career that has enriched the Argentine art scene.
1969
Cylinder into circle, 1968
He takes part in the exhibition Arte del siglo XX (“Twentieth Century Art”) in Mar del Plata.
Cylinder into circle appears and is commented in the prestigious Art international, in an article where Guillermo Whitelow characterises these kinds of constructions as an “exercise in progressive modulations” 
