This picture, published on the newspaper La Nación, was the trigger for Police Chronicle.

In June, he participates in the show Surrealismo en la Argentina (Surrealism in Argentina), held in the Di Tella Institute, with Police Chronicle and Ladder. Strangely enough, Aldo Pellegrini includes him in a group which shows a lax selection criteria, with the excuse of giving a wider vision of the movement. Distéfano’s work emerges together with other artists’ who were transitting the neo-figurative crossed by Pop art elements, such as Luis Benedit, Lea Lublin, Marta Peluffo, Jorge Demirjián, Humberto Rivas, Rómulo Macció, Jorge de la Vega, León Ferrari, exhibited along with proper surreal works by Berni, Batlle Planas, Planas Casas, Luis Barragán, Ideal Sánchez, Vicente Forte, Víctor Chab, Roberto Aizenberg, among others. Along with Juan Andralis, Norberto Coppola, and Rubén Fontana, Distéfano designs the catalogue, piece of great originality because of the combinations of typography and materials, like the covers produced in black moiré cloth, according to the poetic of the exhibition.

Alongside David Lamelas and Emilio Renart, he represents Argentina in the IX Biennial of San Pablo. The jury was formed