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Juan Carlos
Distéfano
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
January 2003
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
1970
With Humberto Rivas
in Florence
in Florence
A jury formed by Fermín Fèvre, Marta Oks and Aldo Pellegrini, picks his work Struggle along with another twenty-three artists’–Aizenberg’s, Brizzi’s, De la Vega’s, Deira’s, Demirjián’s, Espinosa’s, Garabito’s, Grela’s, Mac Entyre’s, Macció’s, Magariños’, Ocampo’s, Peluffo’s, Robirosa’s, Testa’s and Vidal’s, among others, for the exhibition 24 artistas argentinos (24 Argentine artists) that takes place between10 an 30 July, at the Museo Nacional de Bellas Artes, sponsored by the First National Bank of Boston, institution which purchases the whole set to be part of their collection.
As well, he takes part in Pintura argentina-Promoción internacional (Argentine painting-International promotion),organised by Fundación Lorenzutti,with Three Versions, In fire, In the earth, In the rain, Struggle and Ladders. This itinerant exhibition, intended to promote domestic contemporary art abroad, takes place at the Museo Nacional de Bellas Artes, then moves to the Museo de Bellas Artes in Santiago de Chile, and, lastly, it is taken to Switzerland and Germany during 1971 and 1972.
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