Catalogue cover of the retrospective at the Museo Nacional de Bellas Artes, 1998

In May, his work is included in the exhibition Clásico y barroco (Classic and baroque), curated by Mercedes Casanegra and Horacio Safons. Presented in the Fundación Andreani, there were also works by Sesostris Vitullo, Pablo Curatella Manes, Líbero Badii, María Juana Heras Velasco, Enio Iommi, Jacques Bedel, Lucía Pacenza, Norberto Gómez, Alberto Heredia, Omar Schiliro, Román Vitali and Ariadna Pastorini.

From 17 September to 10 October, the Museo Nacional de Bellas Artes dedicates an important retrospective, curated by Marta Nanni, who also publishes her essay “Abismos privados, infiernos cotidianos” (Private depths, everyday infernos) in the book-catalogue, in which she goes over and interprets almost forty years of the artist’s work. 158 pieces are shown among which are drawings, notebooks, sketches, paintings, reliefs and sculptures that cover the time between 1955 and 1998, year in which he finishes Direct Action II, work of largest magnitude until that time. Each piece is surrounded by a countless number of previous works, including preparatory drawings, models, scaled-down versions, including bronze casts of many of the