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Antonio
Berni
by
Adriana Lauria and Enrique Llambías
May 2005
Bibliographic reference of this dossier
Versión en español
 
As a commemoration of the birth of Antonio Berni (1905-1981) we offer a broad panorama of his life and his production. Through a thematic study, a chronology and several reproductions and documentary images, we travel across the work of this remarkable creator, one of the most outstanding artists in Argentina and Latin America.
 
Introduction | Subjects | Chronology | Works | Exhibitions | Selected bibliography
 
1900
1910
1920
1930
1940
 
1950
1960
1970
1980
1990
 
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1945
Paule and Berni
Paule and Berni in their house at Rivadavia street, facing Parque Lezica
 
The studio of architects Aslán & Escurra requested the Taller de Arte Mural to decorate the dome of Galerías Pacífico.
Editorial Losada published the book Antonio Berni by Roger Plá.
Berni painted Domingo en la chacra or El almuerzo, a work based on the traditional composition of the “Last Supper”, which would be repainted in 1971.
He took part in the Salón Independiente, organized to repudiate the Salón Nacional because of its conservative nature and its exclusion of modern tendencies and, as the catalog stated, “adhering to democratic longings declared by the intellectuals of the whole country”. The reference to a feeling of threatening over political and creative liberties aroused in this sector by Peron’s ascent to the presidency of the country became evident.
This “counter salon” developed in a basement placed at 458 Florida Street, where works formerly intended for the Salón Nacional were sent. In addition to Berni, there participated Badi,
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