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Antonio
Berni
by
Adriana Lauria and Enrique Llambías
May 2005
Bibliographic reference of this dossier
Versión en español
 
As a commemoration of the birth of Antonio Berni (1905-1981) we offer a broad panorama of his life and his production. Through a thematic study, a chronology and several reproductions and documentary images, we travel across the work of this remarkable creator, one of the most outstanding artists in Argentina and Latin America.
 
Introduction | Subjects | Chronology | Works | Exhibitions | Selected bibliography
 
1900
1910
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1930
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1990
 
1970
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1971
La masacre de los inocentes
 
La masacre de los inocentes
 
La masacre de los inocentes
 
La masacre de los inocentes
 
La masacre de los inocentes
Berni and the robots of La Matanza de los inocentes in Paris
A retrospective of Berni’s production was presented at the Musée d'Art Moderne de la Ville de Paris, from his surrealist period in the 1930s until his most recent work: the setting La masacre de los inocentes, specially realized in France. A symbolic representation of repression and violence, it is composed by a group of aggressive corporeal robots made out of diverse materials resulting from industry and consumption society, together with a soundtrack performed by Aníbal Libenson and an array of color lights.
The artist declared he was inspired by Christmas stalls performed with dolls since the Middle Ages —forms of popular art which may find a new significance in contemporary conflicts. About this he stated :
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