centro virtual de arte argentino
Menú
Página principal
 
Página principal
Un panorama del siglo XIX
 
Un panorama del siglo XIX
Un panorama del siglo XX
 
Un panorama del siglo XX
Índice de dossiers
 
Índice de dossiers
Breves biografías
 
Breves biografías
Algunos dossiers
 
 
 
 
Juan Carlos
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
Bibliographic reference of this dossier
Versión en español 
 
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
 
Introduction | Media | Works | Design | Chronology | Anthology | Bibliography
 
1930
1940
1950
1960
1970
 
1980
1990
2000
2010
2020
 
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1968
Catálogo Más allá de la geometría
Catalogue cover of Más allá de la geometria (Beyond Geometry), organised by the Di Tella Institute. Design by Juan Carlos Distéfano and Rubén Fontana
 
alquilar y vender (Argentine artists. Works from Paris and Buenos Aires to rent and sell) organised at the Di Tella Institute. About these works, Elba Pérez states that they arose from Distéfano’s needs who then:
“He conceived colour and shape as being born in unison, and this notion was impossible to realize with the usual means. Neither was he satisfied with the idea to polychrome the shape according to the traditional practice of adding colour. Only polyester could bring satisfaction to his requirements but there was little experience of this material in the country. The first trials failed in spite of the fraternal collaboration of Obdulio Gambaro, and Renart’s advice, true pioneer on the subject. [...] The first pieces were painted polyester. Later on, he finds the way to include the polychromy in the shape.
Head and Fist [...] The head was originally conceived in clear polyester for it to contain the fist inside. He had to abandon this purpose because of technical difficulties that could not
more
derecha
base
 
<
 
2/4
 
>