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Juan Carlos
Distéfano
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
January 2003
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
1974
He is invited to participate in the show Actuelles tendances de l'art argentin in the Centre Artistique de Rencontres Internationales, Nice, France. He sends The Mute (1973), Yellow and Procedure, adding two copies of these two last pieces made in black polyester resin, as well as a set of drawings in which there is the pencil Spider’s Web (1974). Carlos Alonso, Luis Fernando Benedit, Héctor Borla, Ary Brizzi, Hugo De Marziani, Jorge Demirjián, Manuel Espinosa, Víctor Grippo, Alberto Heredia, Aldo Paparella, Rogelio Polesello, Alejandro Puente, and Clorindo Testa also take part in the show that has 60 works altogether. Along with Puente, Grippo, De Marziani and Daniel Martínez –Secretary of the Museo Nacional de Bellas Artes– he travels to Nice. Thereafter, he tightens ties with Grippo, Martínez and Puente.
