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Juan Carlos
Distéfano
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
January 2003
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
1994
those of Giancarlo Puppo, Clorindo Testa, Nora Correas, Guillermo Roux, Roberto Aizenberg, Antonio Seguí, Enio Iommi, Pablo Suárez, Eduardo y Héctor Médici, Néstor Cruz, Daniel Zelaya, Luis Barragán, Luis Felipe Noé, Alfredo Portillos, Rómulo Macció, Alberto Heredia, Remo Bianchedi and Hernán Dompé.
A selection of works of the Museo Nacional de Bellas Artes collection, made by critic and curator Jorge López Anaya, integrates the exhibition Arte Argentino Contemporáneo (Contemporary Argentine Art) held in the Fundación Arte y Tecnología - Telefónica in Madrid. Distéfano sends his sculptures Ladders and The Mute which travel together with pieces by Girola, Hlito, Kósice, Lozza, Mele, Maldonado, Heras Velasco, Iommi, Greco, Fontana, Pucciarelli, Testa, Noé, de la Vega, Deira, Macció, Seguí, Benedit, Maza, Heredia, Gómez, Burton, Suárez, Schvartz, Wells, Kemble, Silva, Bonevardi, Puente, Paternosto, Dompé, Santantonín, Renart, Paparella, Minujín, Cnacela-Mesejeán, Grippo, Porter, Prior, Kuitca, etc.
