1922
Rogelio Yrurtia's allegorical group, Canto al trabajo, is inaugurated. Acquired by the City of Buenos Aires, it is placed in 1927 in Plaza Dorrego. Ten years later, it is transferred to its present location on Paseo Colón Avenue between Estados Unidos Street and Independencia Avenue.
The publishing of Proa magazine and the supplement La Protesta, in which Atalaya writes, begins. The book Apuntes para la historia de nuestra pintura y escultura (Notes for the history of our paiting and sculpture) also appears, written by the critic José María Lozano Mouján.
Riganelli obtains the First Sculpture Prize at the XII Salón Nacional and travells to Europe.