Taking advantage of these iconographic models, with which he handled contemporary events, he linked critical realism with the history of art.

He showed works from 1928 to 1936 at the Salón de Actos Culturales of the La Plata’s newspaper El Argentino. He took part in the Salón de Otoño de Buenos Aires. A languid feminine figure, Portrait, entered the Museo Provincial de Bellas Artes in  La Plata due to his partaking in that town’s IV Salón de Arte. This work contrasted with the Portrait acquired by that institución in 1938, and whose rotund image revealed Renaissance influences.

With Badi, Basaldúa, Butler, Domínguez Neira, Del Prete, Forner, Gómez Cornet, Larco, Morera, Mulhall Girondo, Pirovano, Soldi, Pissarro, Spilimbergo, Scotti, Trabucco, Victorica and Xul Solar, he exhibited at the Salón de Pintores Argentinos performed in Amigos del Arte and, at the Segunda Exposición de Pintores Argentinos, in Galería Moody, together with Badi, Basaldúa, Del Prete, Gómez Cornet, March, Soldi, Spilimbergo and Xul Solar.