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Juan Carlos
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
Bibliographic reference of this dossier
Versión en español 
 
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
 
Introduction | Media | Works | Design | Chronology | Anthology | Bibliography
 
1930
1940
1950
1960
1970
 
1980
1990
2000
2010
2020
 
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1976
Catálogo J. C. Distéfano. Esculturas y dibujos
Catalogue cover of the exhibition J. C. Distéfano. Esculturas y dibujos, Artemúltiple gallery, 1976
 
of the artistic happenings of the year. For this occasion, he presents Fist, Head and The Mute I. He also presents Yellow –work that he started in Italy– and Smoke. He includes Figure Lying Down –purchased by the journalist Ariel Delgado– which real title is Procedure, modified for this occasion to avoid its explicit meaning, due to the dangerous political context the country was in Spider’s Web, The bathroom– inspired by the homonymous by Prilidiano Pueyrredón to which Distéfano gives the subtitle “Tribute to Roberto Páez”, being this artist the one who suggested that he address this issue– and The Dried Peach Always Falls Face up that includes features of Egyptian art, completed the set.
This last piece makes a sarcastic reference to the then Minister of Economy of the Dictatorship, José Alfredo Martínez de Hoz, famous for his big ears. As it alludes to a character that is always in good standing, the artist builds a dummy which, having a weight at the base, always straightens up. The thistles that contextualize the figure show the relationship he has with
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