centro virtual de arte argentino
Menú
Página principal
 
Página principal
Un panorama del siglo XIX
 
Un panorama del siglo XIX
Un panorama del siglo XX
 
Un panorama del siglo XX
Índice de dossiers
 
Índice de dossiers
Breves biografías
 
Breves biografías
Algunos dossiers
 
 
 
 
La Boca
Artists
by
Florencia Battiti and Cintia Mezza
August 2006
Bibliographic reference of this dossier
Versión en español
 
We are about to venture into the fascinating world of the famed La Boca artists. This dossier reviews the gravitations of the modernization process of Argentine art throughout the last one hundred years, and the role that its growing cultural institutions played along the way. This investigative work has been authored by Florencia Battiti, and assisted by Cintia Mezza.
 
Introduction | Historical synthesis | Artists | Graphic overview | Chronology | Bibliography
 
1860
1870
1880
1890
1900
 
1910
1920
1930
1940
1950
 
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1901
Sociedad Fotográfica Argentina de Aficionados. Muelles del Riachuelo
Sociedad Fotográfica Argentina de Aficionados. Muelles del Riachuelo. Mercado de Frutas (detail), c. 1900
 
The echoes of the blue collar workers concerns in the city of Chicago (1886) regarding the shortening of the work day are heard in our country. The “calafateros” (caulkers) one of the first groupings of workers of the port area, make a bell to announce the arrival and departure of the work shift at the Grondona shipyard. On October 16, the labor union announces that its workers will only work eight hours a day using the bell to sound off their newly shortened work shift. Upon the intervention of the Prefectura (Port Police) and in the middle of a threat of violence, the workers decide to throw the bell into the river. Finally, the ship yard management accepts the labor claim and the bell is recovered after a few days of searching the river, sounding off the new shortened work day.
Towards the end of the 1940’s, with the changes that technology brings about, the trade of caulking vanishes and the labor union decides to donate the bell to the Museo Municipal de Bellas Artes Quinquela Martín, an act which is presided by its president, Juan de Dios Filiberto. On March 19, 1994, the
more
derecha
base
 
<
 
1/2
 
>