1944
Universalismo Constructivo, a book by Joaquín Torres García, is published in Buenos Aires.
The only issue of Arturo. Revista de artes abstractas, is published, marking the beginning of Concrete Art in Argentina. The publishers soon begin to disagree on their aesthetic programme and, in 1945, Tomás Maldonado, Lidy Prati and Edgar Bayley create the Asociación Arte Concreto Invención. In 1946, Carmelo Arden Quin, Gyula Kosice and Rhod Rothfuss create the Madí group. That same year, the manifestos of both groups are distributed and Lucio Fontana presents the Manifiesto Blanco.
Berni, Spilimbergo, Castagnino, Demetrio Uruchúa and Manuel Colmeiro create the Mural Art Workshop which, in 1946, decorates the dome of Galerías Pacífico.