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Juan Carlos
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
Bibliographic reference of this dossier
Versión en español 
 
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
 
Introduction | Media | Works | Design | Chronology | Anthology | Bibliography
 
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2006
Catálogo Distéfano, galería Ruth Benzacar
Cover of the catalogue Distéfano, galería Ruth Benzacar, 2006
 
In an article published in the newspaper Ámbito Financiero, the critic Jorge Glusberg quotes Hugo Sigman –a great admirer and collector of Distéfano’s pieces– as saying that his sculptures “refer us to philosophical, historical and social frontiers; to the enigma of man embodied in the everydayness of Being.” Nota 35
From 9 to 12 April he takes part in the show Memoria en construcción (Memory under construction), one of the exhibitions of the cycle 30 años. Una estética de la memoria (30 years. An aesthetics of memory), shown at the Centro Cultural Recoleta as part of a series of acts commemorating the thirtieth anniversary of the military coup of 1976. His contribution is Nude. The same elsewhere, the same piece that appears in the book that shares its title with the exhibition and was published a few months earlier by Marcelo Brodsky, who also promotes this exhibition. The group of artists consisted of: Luis Felipe Noé, Lucila Quieto, Fernando Gutiérrez, Remo Bianchedi, Norberto Gómez, Cristina Piffer, Carlos Alonso, Ennio Iommi, Hugo Vidal,
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