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Juan Carlos
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
Bibliographic reference of this dossier
Versión en español 
 
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
 
Introduction | Media | Works | Design | Chronology | Anthology | Bibliography
 
1930
1940
1950
1960
1970
 
1980
1990
2000
2010
2020
 
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2004
Kinderspelen. Homenaje a Eliana Molinelli (modelado)
Kinderspelen. Homage to Eliana Molinelli (first theme) at the Goulding stage, 2004
 
In June he takes part in Inverted Utopias. Avant–Garde Art in Latin America 1920-1970, a show curated by Mari Carmen Ramírez and Héctor Olea at The Museum of Fine Arts of Houston, with more than 200 works by 67 artists from Argentina, Brazil, Uruguay, Chile, Mexico, Cuba, Puerto Rico, Colombia and Venezuela. Laura Feinsilber, who attentively took in the show, commented on the impact Distéfano’s work had on her:
“I was really moved, and this implies no chauvinism, when I walked into the exhibition and saw works by Antonio Berni, Jorge de la Vega, Luis Felipe Noé, Rubén Santantonín, Alberto Heredia, Juan Carlos Distéfano and León Ferrari everywhere. The works by the last two artists, when they were being installed, and also at the opening, were considered offensive by some, which is surprising – because, in spite of all the horrors we see everyday in the media, and of the fact that we are in the first world, the message and the intention of these art pieces are not easily acceptable.” Nota 33
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