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Juan Carlos
Distéfano
by
Adriana Lauria and Enrique Llambías
January 2003
Bibliographic reference of this dossier
Versión en español 
 
The dossier on Juan Carlos Distéfano spans from the time of his beginnings
as a painter to his recent works as a sculptor, a first for the CVAA. It covers
over forty years of his work and his commitment to art and reality. A special section offers a view on his work as a graphic designer, which he carried out mostly at the Di Tella Institute.
 
Introduction | Media | Works | Design | Chronology | Anthology | Bibliography
 
1930
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1980
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2010
2020
 
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2004
Distéfano exhibits the monumental piece Direct Action II, as part of the numerous group of Argentine artists which included, besides those already mentioned, Xul Solar, Alberto Greco, Julio Le Parc, Lucio Fontana, Oscar Bony, Roberto Jacoby, Eduardo Costa, Enio Iommi, Gyula Kosice, Luis Fernando Benedit, Graciela Carnevale, Ricardo Carreira, Roberto Jacoby, Eduardo Costa, Eduardo Favario, Carmelo Arden Quin, all of whom share the show with Latin Americans such as Siqueiros, Orozco, Cruz-Diez, Gego, Soto, Lygia Clark, Oiticica, Reverón, Luis Camnitzer, Antonio Días, Cildo Meireles, Barradas, Torres García, Rod Rothfuss, Mira Schendel, Gonzalo Fonseca, Julio Alpuy, and José Balmes, among others.
In December he takes part in the show Entre el Silencio y la Violencia (Between silence and violence), curated by Mercedes Casanegra at the Fundación Telefónica de Buenos Aires, with his works Procedure II and Yellow II, both from 1972, and preliminary drawings for Yellow, Smoke and Spider’s Web. This exhibition is an expanded version of the one presented by the Fundación ArteBa at Sotheby’s, New York, in November 2003, in which Distéfano was not included. The exhibition featured other renowned contemporary artists such as Norberto Gómez, Víctor Grippo, Alberto Heredia, Edgardo Antonio Vigo, Oscar Bony, Luis Fernando Benedit, Roberto Elía, León Ferrari, Liliana Porter, Horacio Zabala, Juan Carlos Romero, Graciela Sacco, Jorge Macchi and Cristina Piffer. Casanegra states that:
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